Donna Colonna Donna Colonna

The Rolodex of Men – I Got a Guy for That…and then some.

From fire signs to failed flings, The Rolodex of Men is not a cry for help—it’s a filing system. A psychic-laced dossier of the karmic crushes, cosmic contenders, and confused ghosts that tried their luck in Donna’s orbit.

Broadcast Summary

This isn’t a pity party—it’s a cataloged case study. "The Rolodex of Men" is a running Donna After Dark file built from pure experience and astrological curiosity. Every guy is filed under energetic resonance, zodiac patterns, and how he fumbled the bag. Some got a category. Others got an entire chapter. This is where intuition meets entertainment and closure meets comedy.

You want to know if a Sagittarius ghosted? I got a guy for that.
Want to talk about the Virgo who weaponized logic? Got a guy.
You think your Pisces man is a shapeshifter? Let me check the index.

—————

It started as a joke, but you know how my life goes—nothing is ever just a joke. Somewhere between karmic cleanouts and timeline shifts, I realized I had a living ledger of male encounters that wasn’t just juicy—it was instructive.

Thus, The Rolodex of Men: I Got a Guy for That was born.

Filed by sign, vibe, and level of emotional maturity (or lack thereof), each entry in this collection documents a dude who left a mark—be it cosmic, comical, or colossally disappointing.

Think of it as your spiritual Yelp review meets energetic surveillance system.

Some entries read like mystery thrillers.
Some… like sitcom reruns.
And some are redacted completely because we don’t summon old energy around here.

Here’s a sneak peek from the classified files:

  • The Sagittarius Ghoster – Came in hot, left on read.

  • The Libra Projector – Mirrors everywhere, and none of them accurate.

  • The Gemini Twin Flame (But Like, the Broken One) – One soul, two SIM cards.

  • The Scorpio Spy – Knew things I didn’t post.

  • The Cancer Crybaby – Couldn’t swim in the depth he claimed to have.

I document their entrance, exit, sign, behavior, possible karmic link, and energetic outcome. There’s even a running tally for who might make parole and who’s banned for eternity.

This isn’t about bitterness. It’s about pattern recognition.
This is metaphysical case law. Soul contract receipts.
A timeline archive dressed in Donna-style sass.

And baby, if you think you’re the one who broke me—you’re probably in Volume I.

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Donna Colonna Donna Colonna

The Reality TV Reversal

A meta-comedy moment where Donna realizes that her real life—not the cameras, not the contracts—is the truest version of reality TV. She reflects on how the world turned unscripted, yet somehow more precise in its timing, drama, and absurdity than anything ever produced. Includes commentary on cosmic timing, missed casting calls, and how her current timeline plays like a writer's room full of renegade guides, improvising perfection.

Overview

There was a time when reality TV meant casting calls, contracts, producers, and a timeline cooked up by a writing room trying to make “spontaneity” happen. But that era? It bowed out gracefully the moment Donna realized her actual life was more absurd, more precise, and more cosmically synced than anything cable ever aired.

What Happened

Donna finds herself smack in the middle of a timeline that feels like it’s been scripted by universal improvisation. No lights, no cameras—just raw reality, laced with perfect comedic timing, uncanny characters, and events that unfold like plot twists no network would dare write. Every missed callback, every so-called failed audition, every brush with fame—it all led to this: a broadcast from the realest channel of all. Herself.

The Download

This isn’t a comeback. It’s a recall. A download from a life that never needed an executive producer—just a sovereign soul tuned to the frequency of Now. Donna’s show runs on synchronicity, and the cast? Every damn one of them is improv-trained by the cosmos.

Threaded Truth

“They said reality TV was dead. But the truth? Reality just took its script back. And baby, I’m in production.”

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